Martine Rousset Movies

Cinématon is a 156-hour long experimental film by French director Gérard Courant. It was the longest film ever released until 2011....

Gérard Courant applies the Lettrist editing techniques of Isidore Isou to footage of late 70's pop culture. Courant posits that his cinema...

The first part of the Carolyn Carlson cycle. Between her and herself. Three images of the dance are repeated, come up against opacities that do not...

Sha-Dada is an "expanded" film on two screens which presents itself as a confrontation between two imperialisms.

The last part of the Carolyn Carlson cycle. Last look. Oversight. Irreversible erasure. The song is immersed. Blinded.

To examine the image of this face, this look, there are fragments of raw stories, mineral lights, snatches of an endless dream ... The insistence...

"Readings. A place. Purity of lines. Fine angles. Dominance of whites and blues. Fragility of tapered glasses." A visual evocation of the writing of...

On the one hand: A frame - and then windows in the frame - Spiked - from one to the other - Images designated - fenced, inside / out. Every moment...

A single-screen version of the Portraits / Mirrors multi-projection. Featuring portraits of: Aloual, Gaël Badaud, Raphaël Bassan, Yann...

Listen to the trace, over the absent times, from the shore, at the very edge of the page, in the blind corner where the reader is held, give a voice,...

Initial situation: models were invited to participate in their portrait by the contribution of personal objects and a great freedom of expression...

Portrait. She dances in the center of her area. Obscure to the look. She abandons us to her limit. Turn. Count the chips. Conjugate. Turn on...

Free adaptation of Faulkner's novel aroused by the Patrick Henry and Ranucci cases.

Originally a text in fragments, more or less biographical, of different characters. Crossed stories, mixed times, memories and inventions. Coming...

Aurore collective is composed of 50 sequences filmed in Dijon and Paris (successive places of residence of the filmmaker), Chalon-sur-Saône,...

Filmmaker's visual diary during her visit to Samarcande.

"The sea is a language whose meaning we have lost" Jorge Luis Borges

Traces of stories. The images themselves. Tear off. Stain. To paint. Makes light out of them.

This is what the city offers the passing foreigner: gold and night to the visitor who has barely arrived. Fragments, the stone found by the...